2.1.07
The Gilded Age Monsters of Charles Eisenmann
From his studio on the Bowery in New York City, Charles Eisenmann photographed the great freaks and sideshow acts of the 19th century. His prints are collected in a terrific book called Monsters: Human Freaks in America’s Gilded Age, edited by Michael Mitchell.

Linkage

Linkage
26.12.06
So Long James Brown (pt. 2)
Beat the Devil (9:44). Starring James, Clive Owen, and Gary Oldman. Directed by Tony Scott.
25.12.06
Explosive Art
What do you get when you hand over a hand grenade and a surplus U.S. Army ammo box to a group of artists?
Operation Fragmentation!
Cherry Bomb Girl by Angie Mason
Professor Whistlecraft's Astounding Incendiary Automaton by Doktor A
Clueless George Blows His Top by Grant Fuhst Lots more here.
via MetaFilter
21.12.06
Art Pic of the day #2
I love the denseness of this one. It's the type of place a William Gibson novel would take place in.

via Hong Kong: The Denscity

via Hong Kong: The Denscity
16.12.06
5.12.06
Son of Long Horse

I always fall for the long horse trick. I'm wise to that now.
See previous post here.
Then read Long horse hoax?
I suspected this could be a hoax (either that or they have the strongest backbones I've ever seen). Either way the trip was pretty cool.
3.12.06
1.12.06
Bendito Machine (5:05)
Bendito Machine is an award-winning short by Jossie Malis done in flash. Enjoy.
Northern Soul - This England (26:17)
For the Northern Soul fans out there, especially Melpster who turned me on to it. A short documentary on Wigan Casino.
Skull Graffiti
9.11.06
8.11.06
Locksport
Comic book teaches you art of "locksport" (competitive and recreational lock picking). Here's a 22-page PDF comic book that shows you how to pick locks.

via BoingBoing

via BoingBoing
Keng-Ming Liu - Travel Diary
This short follows a diary while it travels around the world, recording experiences, memories... butterflies. Keng-Ming Liu studied entomology in Taiwan and this appears to have been inspiration for the animation.
via No fat clips!!!
Keng-Mings's site
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